Antique Painted Furniture

Page one of six

Item No. 1214

French, Louis XVI period chaise longue

Crème painted with vigorously carved neoclassical elements. Circa 1780.

65" long by 39½" high by 28" deep

Item No. 1204

French, Regence period, Provencal two-drawer commode (sauteuse)

Crème painted with rouge accents. With pierced bottom apron; the whole resting upon four cabriole legs terminating in pied de sabots. Circa 1725, from Aix en Provence.

46" wide by 35" high by 25" deep

Item No. 1200

Pair of Napoleon III period firescreens

Paintings of birds and landscapes on opaline glass inset in gilt brass frames.

Circa 1870 by celebrated artist Narcisse Vivien (signed "NV").

38½" high by 26" wide by 17" deep (at base)

Item No. 1195

Pair of Louis XVI, Ormolu-Mounted, Carved, Painted and Parcel-Gilt, Velvet Upholstered Fauteuils à la Reine

One with the initials 'M G' in white paint; both with illegible names in pencil on the inside of the chair rail.

39¾" high (18½" at seat) by 26½" wide by 27" deep

Item No. 1190

Fine, English Regency tilt-top table

In faux painted specimen marble, mahogany, and parcel-gilt. On tripod base.

Circa 1815.

Formerly with Mallett Antiques.

28½" high by 35" diameter

Item No. 1185

Exceptional, Venetian, Rococo period, Lacca Povera commode scriban

The rectangular top above the slant-front, opening to a writing surface with a central pigeonhole flanked by four short drawers, above the serpentine-fronted body with two long drawers, the paneled sides, raised on cabriole legs.

Lacca Povera (also known as "Lacca Contrafatta") was a form of art originating in Venice incorporating decoupage (the cutting out of figural or natural forms), which are adhered to a solid surface, painted and hand-engraved, and then covered with a layer of layer of lacquer.

Mid-18th century.

50" wide by 43" high by 22¾" deep

Item No. 1121

Set of four Art Nouveau period lithographs on fabric

Depicting The Four Seasons. Signed by Czechoslovakian artist Alphonse Mucha. First Series. Circa 1896.

37" high by 21" wide

Item No. 1175

Set of twelve French, Neoclassical style dining chairs

Painted and parcel gilded. Richly sculpted in a guilloché pattern resting upon tapered and fluted legs. 19th century.

A similar example is currently on display at Muse´e des Arts De´coratifs in Paris.

37" high by 20" wide by 18½" deep

Item No. 1172

Portuguese, Baroque period, blue and white painted tile (azulejos) mural

Featuring the God Neptune in his carriage holding a trident in his right hand while being pulled through the sea. Circa: 1710-1720.

59" wide by 29½" high

Item No. 1170

Pair of French, Faience, covered jars (pilgrim flasks)

Each one depicting cherubs blowing horns and riding fantastical beasts on a blue background. The sides flanked by rams head masks. Nevers, France. 19th century.

Signed: Antoine Montagnon

12¾" high

Item No. 1167

Large, Important, French cache pot

Manufactured by the royal porcelain maker, Sèvres, in painted and gilded porcelain with gilt bronze mounts for the last French King, Louis Phillippe (r. 1830-1848).

The interior bears two stamps, the first having the King's monogram (LP) and the date (1844), and the other bearing the mark for "Château des tuileries", the royal residence where the piece was to be displayed.

14" in diameter by 12" high

Item No. 1163

Pair of Italian, Neoclassical period Torcheres

Painted and parcel-gilded adorned with acanthus leaves, ram's heads, pateraes, and garlands, resting upon claw feet. Circa 1810-1815.

64" high by 13" diameter

Item No. 1161

Pair of Northern Italian, Neoclassical period, blue-painted and parcel-gilded bergeres

Each having a gondola back, bacchic mask, and upholstered in a blue silk brocade. Late 18th century.

39" high (at the back) by 26" wide by 24" deep

Item No. 1138

English, George III period cane settee

With curved ends and three seats, each seat having a circular cane-back panel inset with a hand-painted medallion, the whole resting upon elegantly-tapered legs and painted in bellflowers. Late 18th century.

72" wide by 28" deep by 35" high

Item No. 1155

Italian, Neoclassical period, painted and parcel-gilt chest of drawers

Having two small drawers above two large drawers. Late 18th century.

36" high by 45¾" wide by 21¾" deep

Item No. 1136

Directoire period fan and conforming giltwood frame

Paper painted in the "Gouache" technique with gilded accents. Circa 1790.

26½" wide by 16" wide

Item No. 1126

Pair of Venetian, Rococo period, painted and parcel-gilded console tables

With original Carrara marble tops. Mid-18th century.

Item No. 1119

Chinese. Ming dynasty, white marble "Horse and Deer" panel

Late 14th through early 17th century.

15¾" high by 32½" wide

Item No. 1108

Egyptian, Ptolemaic Period, polychrome-painted wood sarcophagus panel

Brightly painted in ochre, red and black with Nut in profile to the right, wearing a tightly-fitting dress, broad collar and bracelets, a fillet across her forehead with a frontal lotus flower, sun disc above her head, lotus buds and flowers sprouting on either side of her feet and a bunch before her torso.

As a divinity responsible for renewing the sun each day by swallowing the setting sun, Ra, each evening and giving birth to him by her womb in the morning, Nut was regarded as suitable imagery for the underside of the lid of sarcophagi, as this associated the deceased with re-enacting the journey of the Ra between heaven and earth. For further, see I. Shaw and P. Nicholson, British Museum Dictionary of Ancient Egypt, London, 1995, pp.207-208.

Circa 332-30 B.C.

Provenance:

Private collection, San Francisco.
Anonymous sale; Bonhams & Butterfields, San Francisco, 29 October 2007, lot 1390.
with Royal-Athena Galleries, New York (Art of the Ancient World, 2009, no.188).

Published:

M. Merrony (ed.), Mougins Museum of Classical Art, Mougins, 2011, p.49, fig.34.

Exhibited:

Mougins, Musée d'Art Classique de Mougins, June 2011-2018.
Musée d'Art Classique de Mougins, France, acquired from the above.

43¾" high

Item No. 1106

Ancient Canosan volute krater of large dimension

Painted with a warrior mounted upon a horse, the handles tightly curled to resemble the volutes on Ionic columns. The colors used in art of this period inspired the painted frescoes of Pompeii two centuries later.

From Apulia, circa 320 BC (now Italy, but then Greece).

21" high by 12" wide by 10" deep

Antique Painted Furniture - page one of six

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