Latest Acquisitions

Page two of two

Item No. 1207

French, Louis XVI period, console

In solid, carved giltwood with original Bleu Turquin marble top. Circa 1780. In the manner of Henri Jacob.

Item No. 1206

Pair of French, Rocaille style, three-arm sconces

In solid, gilt bronze. Originally gasoliers. Circa 1870.

25" high by 14" wide by 5" deep

Item No. 1205

French, Louis XVI period, demi-lune, bronze-mounted commode

In solid Cuban mahogany and Cuban mahogany veneer having two central drawers flanked by side compartments; the whole resting upon four tapered and fluted legs. With original white marble top. Circa 1780.

Signed: N. Petit

44" wide by 34" high by 19" deep

Item No. 1204

French, Regence period, Provencal two-drawer commode (sauteuse)

Crème painted with rouge accents. With pierced bottom apron; the whole resting upon four cabriole legs terminating in pied de sabots. Circa 1725, from Aix en Provence.

46" wide by 35" high by 25" deep

Item No. 1203

Italian, Regence period mirror a parcloses

In solid, carved giltwood. Circa 1725.

75" high by 38" wide

Item No. 1202

French, Louis XV period, bureau de pente

In palissandre de Rio (Brazilian rosewood) with bronze d'ore mounts, the whole resting upon cabriole legs terminating in bronze sabot feet. Slant front opens to reveal a leather writing surface and five drawers. Circa 1750.

Attributed to Jean Lapie.

Provenance: Sold Sotheby's, NY, November 11, 2000, Lot 171

39½" wide by 38" high by 17½" deep

Item No. 1201

French, Baroque Period embroidered needlework panel

Probably depicting Saint Cyr, within a Regence style giltwood frame. Late 17th or early 18th century.

Provenance: Collection de la Tour d'Argent, Paris.

40" high by 37" wide

Item No. 1200

Pair of Napoleon III period firescreens

Paintings of birds and landscapes on opaline glass inset in gilt brass frames.

Circa 1870 by celebrated artist Narcisse Vivien (signed "NV").

38½" high by 26" wide by 17" deep (at base)

Item No. 1199

Pair of Italian, Neoclassical period candelabras

In solid, carved giltwood; each having seven arms in gilt iron. Adorned with acanthus leaves; fluted central stem; the whole resting upon a tripd base with clawed feet.

33" high by 17" in diameter

Item No. 1198

Pair of Neoclassical period, Biedermeier fauteuils

In walnut veneer. Vienna, circa 1815.

Provenance: Formerly with Rita Bucheit, Limited - Chicago, Illinois.

35" high by 21" wide by 24" deep

Item No. 1197

French Regence period commode scriban

In solid walnut and walnut veneer adorned with bronze d'ore mounts; the whole resting upon four cabriole legs with bronze d'ore sabots.

Circa 1730.

37½" high by 34¾" widey by 19½" (closed)

Item No. 1196

Italian Rococo carved giltwood console table

Fitted with an onyx top.

36" high by 47" wide by 28" deep

Item No. 1194

Exceptional, French, Louis XVI period Bergere

In solid, carved giltwood vigorously carved in neoclassical motifs (guilloches, acanthus leaves); the backrest having two fluted and detached columns; the whole resting upon spiral, fluted legs.

Circa 1780, Paris.

Stamped: Louis Charles Carpentier

37" high by 27½" wide by 25" deep

Item No. 1189

Faunesse With Child And Bacchus, Late 19th century bronze group Signed Clodion

Large French bronze sculpture representing a faunesse (female faun) holding her baby on her knees, and Bacchus playing at their feet, a well known model by Clodion. The faun and her child are girded with vine leaves and the child holds out a cup to Bacchus. In exchange, Bacchus lying on a bed of vine branches gives him a bunch of grapes. The thyrsus, symbol of Bacchus, lies on the bed of foliage. All the attributes of Bacchus are present in this magnificent composition by Clodion, whose quality of carving is matched only by the depth of its patina. A cherry red marble base supports this remarkable mythological group.

Signed “CLODION” on the back (Claude Michel, known as Clodion (1738-1814). Circa 1850-1860

Provenance: From the collection of Charles Auzoux (1836-1922)

22" high by 12¼" wide by 12½" deep, 12" diameter base

Item No. 1187

Pair of Arlesian, Louis XV style boxes (salt box - "boite a sel" and flour box - "fariniere")

In solid, carved walnut. Circa 1900.

Item No. 1143

Apulian, red-figured, terra cotta lekanis (two-handled, ancient Greek bowl)

The cover painted with a naked male figure sitting and holding a spear and a seated woman on opposite sides, the two separated by palmette friezes, the rim of the lid decorated with a repeating, wave pattern.

Circa: 340 B.C.E.

10½" wide by 6½" high

Item No. 1186

French, Empire style, gilt bronze chandelier

Having six arms, each with a bronze cast of a female bust, surrounding a blue ceramic center column; the whole surmounted by a torchiere.

Second half of the 19th century. In the manner of François Rémond.

Item No. 1185

Exceptional, Venetian, Rococo period, Lacca Povera commode scriban

The rectangular top above the slant-front, opening to a writing surface with a central pigeonhole flanked by four short drawers, above the serpentine-fronted body with two long drawers, the paneled sides, raised on cabriole legs.

Lacca Povera (also known as "Lacca Contrafatta") was a form of art originating in Venice incorporating decoupage (the cutting out of figural or natural forms), which are adhered to a solid surface, painted and hand-engraved, and then covered with a layer of layer of lacquer.

Mid-18th century.

50" wide by 43" high by 22¾" deep

Item No. 1184

Rare, Russian, Brass-Mounted Mahogany Architects Table

The hinged top fitted with a ratchet mechanism above a leather-lined writing surface and one drawer fitted with a sliding leather-lined surface and a secret inkwell drawer, flanked by candle slides, raised on tapering fluted legs ending in sabots.

Last quarter of the 18th century. In the Manner of David Roentgen.

36¾" wide by 30" high by 24¼" deep

Item No. 1183

French, Art Nouveau period encoignure (corner cabinet)

In solid, carved walnut inset with embossed leather panels. The central, conforming door opening to reveal three interior shelves. Ecole De Nancy, circa 1900.

Latest Acquisitions - page two of two

Back 1 |2|

While we make every effort to keep all of our inventory online, we are always making new acquisitions. If you don't find what you are looking for, please don't hesitate to contact us.